COMMUNITY HOSPITAL | WhyWhy Art

work by fellow artists based in Shanghai will be shown in the first whywhy art group exhibition opening this weekend. community hospital is housed in shanghai’s newest art space – a former chinese medical clinic in jing an district.

the show explores, defines and even tempts to “cure” the various matters tackled by participating artists in the work on display within the walls of the former medical facility.

feautured work by artists abby robinson [us], ash hempsall [uk], christian chambenoit [fr], christian de laubadère [fr], christian demaitre [be], daniele mattioli[it], girolamo marri [it], joyce rohrmoser [at], konstantin bayer[de], *llnd [fr], maya kramer [us], monika lin [us], pascale pollier[be], piers secunda [uk], roland darjes [de], susanne junker [de], tom lee petterson [us], vilnis ausinš [lv], wu yandan [cn], zane mellupe [lv].

community hospital runs from 5 september – 10 october, 2015.

work by susanne junker.

work by susanne junker.

work by vilnis ausinš

work by vilnis ausinš

work by abby robinson.

work by abby robinson.

work by christophe demaitre.

work by christophe demaitre.

the community hospital concept was created and curated by zane mellupe.

for more, see the whywhyart website.

THE STROKE OF A PEN | ifa gallery [details]

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“ifa gallery showcases a group of artists commissioned for the exhibition, THE STROKE OF A PEN, each artist interpreting the title as he or she sees best, whether figuratively or with more violent overtones.

christophe demaître melts photography techniques and ink with sensuality. zane mellupe explores the importance of line in the landscape with her marble sculpture. christopher paul gill’s collages underline the necessity of freedom of expression, as does susanne junker with her feminist-themed photographs.

kathryn gohmert’s drawings are the expression of the underestimated carnage that took place in baga, nigeria, on the same date of the charlie hebdo attacks. wu junyong and dai guangyu concentrate on the issue of ink in contemporary chinese culture. alexandre ouairy proposes in “blank project” a series of 100 silk-screen prints on art paper, all numbered and signed. the contract signed during their acquisition defines the artist’s moral right toward his artwork.”

more about the stroke of a pen exhibition.

more about ifa gallery.


group open studio | SAPH SHANGHAI

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thank you to everyone that came to the group open studio at the swatch art peace hotel last week and made the entire evening so visually charged, unforgettable, and such a perfect way to wrap up the last few days of my time in shanghai.

i am proud to have worked alongside such an amazing group of artists, who fulfilled their separate artist residencies and realized their own work during the same time i realized mine. it has been a pleasure be able to show the results of my research and and energy during these last few winter months as part of this saph event with the work of the following talented people: alexandre and john gaillaelena monzodominique othenin-girardyuan jinhuachiara luzzanasofia ortizzhu yesandro del pistoiajuliana onggeorge van weteringmujinjovanna  tosellokwang-ju sonmaria pazphillip reedlinda spaman, and michael maurissens.

four of my selected drawings made during my stay.

four of my selected drawings made during my stay.

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sandro del pistoia

sandro del pistoia

george van wetering aka Monokino

george van wetering aka Monokino

elena monzo

elena monzo

FACES & TRACES | images



it’s nice to feel that the energy and artwork are very much alive and present in the exhibition and studio spaces of the swatch art peace hotel, even as shanghai begins to get colder.

being able to see the artwork by some of my most favorite humans as their ‘traces’ are displayed together in one place is a great feeling. the work collected from the combined three years’ worth of past artists-in-residence that have lived and created at the saph in shanghai has completely invigorated the walls with new life.

thrilled to be living and working here again over this upcoming stretch of winter weeks ahead. below are images from the exhibition including a painting from my mixed media brain series, on display and in the catalog.

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open studio | Blo Atelier, 6 – 7 nov

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as part of lange nacht derbilder 2014 – hosting various project spaces, galleries and artist studios based in the lichtenberg district – blo atelier presents performances, workshops and audio + visual work by its artists.

claudia clemens | jorge lequite | johannes bucholtz | almut muller | kathryn gohmert | feryel atek | nancy gorlach | thomas knoof | till gruhl | claudia hirschberger | daniel rabe | luz schewinski | maria fernandez verdeja | sabine alex | conni saaid rabe | constance schrall | nils bornemann | michi sheffler | hana el degham | johnny kortlever | irina novarese

for more information about lange nacht de bilder 2014, blo atelier and its artists, please visit the blo atelier website or the facebook page.

it would be great to see you there.

thurs – fri, 6 – 7 nov |  18:00 – 24:00

kaskelstraße 55, 10317, berlin – lichtenberg

s7/s5 nöldnerplatz

 

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UNBREAKEN | opening + publication launch images


thank you to all who came out last saturday 13 sept] and made the unbreaken launch such a memorable evening!

now that our ‘living publication’ has been activated, a week of exercising it has begun. see the facebook page here for updates to the weeklong program as we apply our living publication in the reality around us and research the affects.

you are warmly invited to join all unbreaken related explorations going on this week around berlin by rsvping to: affect@agoracollective.org or else very welcome to drop by the gallery space of l’atelier-ksr to check in and be a part of our process as it builds toward the unbreaken finissage on friday, 19 september, from 6 – 9 pm at l’atelier-ksr.

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UNBREAKEN | L’atelier-ksr [13 – 19 sept]

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UNBREAKEN


alice bucknell | aviv benn | daniel almgrenrecén | jol thomson | josé cori | kathryn gohmert | rune bosse


book launch | opening: saturday, 13 september, 7:00 pm


l’atelier-ksr | 34 grossbeerentstrasse | 10965 Berlin – Kreuzberg | u6/7 mehringdamm | u1 möckenbrücke


an experimental collaborative publication exceeds its material boundaries and finds its selves taking over spaces, relationships and even dreams. passages are channeled through a stream of collisions and implosions in  and around the space of l’atelier-ksr between 13 – 19 september, 2014



facilitated by fotini lazaridou-hatzigoga, diego agulló, yves mettler,  sarah lewis, john holten, judith lavagna. coordinated by paz ponce.”


[coordinates and details for further events during the week to be updated soon]

 

book sprint | AFFECT module ii


our first publication, trial-by-fire-style.

all the joys and frustrations of the book-making process performed in a single day.

this “book sprint” project was facilitated by john holten, co-founder of berlin-based publishers, broken dimanche press. see more of john’s work here.

the birth of a book in images:

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This entry was posted in relatedworkand tagged on August 11, 2014.--

skill exchange | agora collective, images


the idea behind the skill exchange workshop, led this weekend by the individual artists collectively making up AFFECT’s current artists-in-residence group, was that each artist had a very specific technique / methodology which had been purposefully developed in their life, becoming fine-honed to the point of near superpower level.

with the ultimate design of passing on unusual skills to strangers and thereby empowering them, each artist devised the details of the specific workshop they felt most masterful and capable in leading.

topics included how to successfully avoid conversation on airplanes, traveling backwards at top speed, composing haikus, nordic rope-tying techniques [survival], how to successfully avoid paying rent, the art of climbing trees like a ninja assassin, and the ancient dutch technique of expertly cloning plants.

my tree-climbing workshop.

my tree-climbing workshop.

my tree-climbing workshop.

my tree-climbing workshop.

my tree-climbing workshop.

my tree-climbing workshop.

plant-cloning workshop by rune bosse.

plant-cloning workshop by rune bosse.

haiku-writing workshop by jose cori.

haiku-writing workshop by jose cori.

how to avoid conversations on airplanes by alice bucknall.

how to avoid conversations on airplanes by alice bucknall.

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chinese landscape | tao hongjing



Dutch artist and gallery owner karin janssen has written a short article about some of my favorite shanghai-based artist friends, roland darjesalexandre ouairy, and stefano ogliari badessa - specifically about the CHINESE LANDSCAPE solo exhibition, hosting the work of good friend tao hongjing  [who plays with the subject of china’s dual identity in his multi-layered way].

karin janssen is a dutch artist and gallery owner who divides her time between london and the netherlands while exhibiting her work and running her project space in hackney.

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LITTLE VICTORIES gallery | domus


this article just appeared in italian publication, domus, and explores the art and vision of the little victories project space founders and the exhibitions held in shanghai recently.

see the article below with my own work mentioned near the end.

the online version is also available on the domus site just here.


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coming soon | Little Victories Gallery


shanghai’s newest mobile gallery space is artist-powered [literally, as the artist owners will be using their leg muscles to keep the space mobile] and was founded by artists katie surridgejulian palacz and stefano ogliari badessi who met in shanghai through a residency program. the crew of international artists found their inspiration for the showspace through the idea of censorship and its continuous presence in china.

little victories was established in 2013 in shanghai, china with the objective of running a thought provoking exhibition program of dedicated group and solo shows.

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the opening is set, loosely, for july 16th.

see more about little victories on their website here.

 

secret vii footage | ICS


so thanks to the team at ICS, we now have a copy of the footage aired a few weeks ago on shanghai’s largest local network which featured a great interview of all the artists of the secret vii.

this last exhibition, THE ESSENCE OF RANDOM, is to be our last guerilla pop up exhibition for some time. and just in time, as it looks as if the secret vii aren’t so secret anymore.

see the inteview footage on youtube here [mainlanders, we’ll need our vpns as usual].

莫干山路120再创 造

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the rubble site – 120 moganshan road in shanghai, china – is located right next to the main art district in shanghai: m50. just over 10 years ago, artists and galleries moved to an old textile factory located at this address. this complex was threatened with demolition for years while newly build high rises changed the surrounding of this art oasis. eventually it became more commercial over the years and could therefore secure its existence. the modern apartment buildings and new galleries also had other neighbors, the residents at number 120. small lane houses meandered in narrow alleys, with laundry drying above our heads as people cook their meals in the entry ways of their nearby homes. the inhabitants lived in this area for many decades – even when m50 was already established with its cafes and bookshops. now it is over. 120 moganshan road has been destroyed. most residents are gone, but lost shoes can be found in the rubble, while glimpses of wallpaper are visible on certain walls from the exterior of buildings.

M120: MOGANSHAN REUSED is an example of the positive exchange that can occur between people from different parts of the world and backgrounds by using art as a common language. before everything is gone. before everything is uniform. take note: art doesn’t need white walls.”

“这片碎石所 在——中国上海的莫干山路120号,紧邻上海著名的艺术区 ——‘M50’或‘莫干山路50’。10年前,艺术家们和画廊们陆续搬入这里的一个老厂区。长 久来,这个老厂区一直饱受周边越建越高的商业大厦的吞食。逐渐地,连这片绿洲本身也不得不变地愈加商业化以维持其存在。 这块现代的 艺术区和高楼大厦也有着另一些邻居,那就是居住在120号的上海老居民。那是一个典型的传统的中国老居民区,如同我们在欧洲时可以想象的。小巧的房子挤在弄堂两边;衣服在我们头顶晾晒;居民们 在家门口做饭。这些居民就这样居住了几十年,甚至当M50建起他们的小咖啡 店和书店,以及来了络绎不绝的欧洲艺术客们。然而,它要结束了。莫干山路120在拆毁中,并即将完全消失。大部分的居民已经离开,但在一面 墙上的涂鸦仍在尖叫:“哈哈!我们还在这里!”鞋子零落在我们脚下的碎石间。墙纸也依稀可见。老上海活的场景!

总体上说,艺 术作品和艺术家们试图要以各自的方式去体验眼前这一发生中的都市形态。事实上,真正的艺术家和创造性的人们总是抽到最短的那根签,我 们的工作空间被剥夺或变得昂贵让我们不得不搬离。“莫干山路120再创造!”提供这样一个可能性,即世界来自不同地方的艺术家在这样一个发生着得形态里用艺术进行沟通,并 对我们这些艺术创造者们的将来提出:在一切消失前。在一切变得程式化前。请看到!展览艺术并不一定都要在精致的白墙前.”

see the online catalogue of M120 on the galerie eigenheim’s website here.

M120: Moganshan Reused

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this sunday, 18 july [4 – 11 pm], m50’s post-apocalyptic sister-showspace, m120, will be hosting an exhibition of multi-disciplinary work from many different local and foreign artists exploring the ideas of destruction, creation, collaboration, genius, ecstasy and doom amidst piles of rubble and demolition.

it would be fantastic to see you there.