BELLSAINT’s gorgeous animated video for her new single WFNEO, runs its melody along a visual kaleidoscope that includes details from my mixed media work “Love and Terror” as complement to its empowering lyrics.
It’s a pleasure to have my work incorporated in the visual message of this grounding anthem.
BELLSAINT - WFNEO (Official Lyric Video) by BELLSAINTFollow BELLSAINT here:https://www.bellsaintmusic.comhttps://www.facebook.com/bellsaintmusichttps://www.i...
more about BELLSAINT here.
more of my mixed media work here.
drawings from my callings series, a collection of musical scores for wild bird calls, are on view at galerie bernau as part of the group show DID YOU MEAN BAUAHUS? running from 1.08 - 20.09.2019.
the calling blind works explore how the act of calling is a metaphor for human exploration and the vulnerability and bravery involved in the act of waiting with hope.
denise rosero bermúdez, constanza carvajal, ah ram chae, sophie foster, kathryn gohmert, devadeep gupta, stefan lesueur, ma hie, yael peri, yagmur iskin ruzgar, nora spiekerman, edoardo tedde, jakob wirth, wong sze ting, astrid true may, sergio valencia
curated by ann-kathrin rudorf
photos: alena schmick
article in moz.de: https://bit.ly/2msvwvz
see more images on instagram here.
more images from this series can be viewed online here.
inspired by the history of wild turkey hunting, i trained myself to speak the language of these birds in the wildlife of upstate new york over the course of one month. this experience evolved into a series of sound instruments, found object sculptures, drawings and a site-specific installation.
special thanks to the national wild turkey federation, kaylee resha, jerry parham, michael schiavone, brian zielinksi, gene miller, douglas little and residency 108 for their generous support with this body of work.
above: concept illustration by atsuko mochida.
entre quatro paredes is a collaborative, guerilla performance in which walls transform themselves into rooms using the public spaces of weimar.
[scheduled interventions:]
fri, 14 july, 14:00 – 16:00
bauhaus-universität weimar [main building]
sat, 15 july, 17:30 – 19:30
locations announced via social media
find us on social media:
#entrequatroparedes2017
the living installation, entre quatro paredes, plays with intimacy, boundaries and borders by transporting itself through the public sphere by means of four interdisciplinary performers.
walls are no passive objects: as catalysts of change, walls actively reshape and restrict movement. acting as barriers, they can divide communities and isolate individuals, while also visibly and literally connecting strangers in intimate settings and serendipitous encounters.
simultaneously inclusive and excluding, occurring at a site and a “non-site,” entre quatro paredes transforms public spaces into immediate, private spaces within the context of four walls.
created and performed by kathryn gohmert, martina jacobi, atsuko mochida and malak yacout saleh.
image by martina jacobi and malak yacout saleh.
entre quatro paredes is part of summaery 2017, and is a satellite project of the exhibition, WITHINFOURWALLS.
more about martina jacobi
more about kathryn gohmert
more about atsuko mochida
more about malak yacout saleh
follow #entrequatroparedes2017
this performance took place on 16 may, en route to the deutsche zentralbücherei für blinde from the leipzig hauptbahnhof.
roughly three million dandelion seeds were gathered in goethe’s park an der ilm. the seeds were relocated to a suitcase and then transported to leipzig by train. after carrying the suitcase to the entrance of the deutsche zentralbücherei für blinde [german central library for the blind], the suitcase was opened and the seeds handed out personally as ‘post’ to passing pedestrians.
as dandelion plants reportedly have medicinal properties which combat memory loss and decrease the effects of dementia, the spreading of these seeds by way of this intimate, person-to-person method is intended to cure the repeating spells of memory loss human history continues to experience.