New Gonzomechanics Artists | *LLND

Gonzomechanics is thrilled to add French artist team *LLND to our collective. We are looking forward to collaborating together and showing more of their interactive work in our upcoming projects. ⁣⁣⁣⁣

*LLND is an international media artist team merging sound, image and matter in an approach that combines physical reality, science, myth, technology, and real time. *LLND stands for the initials of Laurent Lettrée and Nathalie Delpech, who have been based in Shanghai, China since 2009.⁣⁣

Nathalie’s video and graphic art are a poetic meeting of the psychedelic and surrealism. With strong colours and forms borrowed from a revisited reality, she gives life to inanimate objects.⁣⁣ Laurent is composer and self-taught electronic machinery builder. He explores sound and its multiple frequencies and rhythmic variations.⁣⁣

Image of ‘Music Garden’ installation, Shanghai, 2019.⁣⁣⁣⁣


Gökçen Dilek Acay | DIE KONFERENZ DER TIERE



Special congratulations to Gonzomechanic Gökçen Dilek Acay for winning the 2021 thüringen Landesstipendium für Bildende Kunst!

Her solo show DIE KONFERENZ DER TIERE opens next week, 30.4 , at Galerie Eigenheim Berlin with an online vernissage at 19 Uhr. DIE KONFERENZ DER TIERE runs until 29.05.2021.

see more of Dilek’s work on the gonzomechanics website.

New Gonzomechanics Artist | Chen Hangfeng


Gonzomechanics is pleased to add artist, Chen Hangfeng, to our artist collective. Look for more of Hangfeng's interactive work in our upcoming projects this year.

Image from installation, 'Where the Wind Comes From', 2010.⁣


Image from installation, 'Where the Wind Comes From', 2010.⁣

Image from installation, 'Where the Wind Comes From', 2010.⁣

Image from installation, 'Where the Wind Comes From', 2010.⁣

‘Where the Wind Comes From’ explores the museumification of traditional culture – which has become more of a specimen of observation rather than a living, breathing part of contemporary Chinese culture. In this way, it seems the Chinese traditional culture can only come alive when we engage with it – read the classics, study poems or practice calligraphy. Without the presence of our gaze it becomes lifeless and still.

When the viewer comes close to this work, a motion sensor sets a number of fans into action, causing the plastic bamboo leaves to rustle in the wind. A “fake” traditional Chinese painting in fact revives the spirit of traditional gardens in the middle of a bustling street, which reflects on our own temporary presence as a “wind” stirring this changing society.


Chen Hangfeng (1974) works in graphic, paper-cut, drawing, painting, installation, performance, photography and video. His practice has been focusing on film and moving images since 2010. His work deals with the issues of identity, contradictions brought by globalization, environmental changes and cultural transmutation; often realized through playful metaphor, and he merge concepts and mediums like an alchemist. He sees artist as a present-day incarnation of ancient philosopher, artisan and literati.

Chen currently works and lives between Shanghai and Amsterdam. He will become a researcher at the Master Program of Netherlands Film Academy from September 2021. 

more about hangfeng’s work.


DEUTSCHLAND… vernissage | galerie eigenheim, berlin

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thank you to all that joined the vernissage of the DEUTSCHLAND… exhibition at galerie eigenheim berlin.

the interactive work, citizenship: german edition, will be installed on site for the length of the show, 27 oct – 21 dec, 2018 at kantstraße 28, charlottenberg, berlin.

see the galerie eigenheim website or facebook page for more info.

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DEUTSCHLAND… | positions berlin art fair

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i’m proud to have my newest work included in this artist’s book with so many talented other artists. my interactive board game, citizenship: german edition, is installed on site and can be played  while the show runs. this game navigates players (using stamps as game tokens)  through the joys and agonies on the path to german citizenship by means of learning a complicated language, paying taxes, adapting to dramatic weather and partying in berlin.

selections of this artist’s book are on display this weekend, 9 - 12 September at booth B09 at the positions berlin art fair.

the publication DEUTSCHLAND… is on view until 4 October at galerie eigenheim weimar and can be found at their weimar location (asbachstraße 1, 99423) or their newly-opened berlin space (kantstraße 28, 10623, charlottenburg) .

details are below in german, or on the galerie eigenheim website.

DEUTSCHLAND… die 3. Edition von Eigenheim Weimar/Berlin

Eröffnung 24.08.2018 um 19 Uhr / Dauer 25.08. – 04.10.2018 / Ort Eigenheim Weimar (im Gärtnerhaus des Weimarhallenparks, Asbachstr.1, 99423 Weimar) / beteiligte Künstler Gökçen Dilek Acay / Akinbode Akinbiyi / Johannes Albers / Claus Bach / Konstantin Bayer / Marc Bijl / Anna Bittersohl / Benedikt Braun / Frederik Foert / Enrico Freitag / Kathryn Gohmert / Rayk Goetze / Marc Jung / Mischa Leinkauf / Berit Mücke / Timo Herbst und Marcus Nebe / Adam Noack / Nina Röder / Naomi Tereza Salmon / Anna Schimkat / Heike Stephan / Zentrum für Politische Schönheit / Julia Scorna / Gabriele Stötzer / Ulrike Theusner / Philip Topolovac / Christian Werner / Reinhard Zabka

Nach den beiden erfolgreichen Editionen zum Thema 10 Jahre Galerie Eigenheim (2016) und Handlungsanweisungen in der Kunst (2017) widmet sich Eigenheim Weimar/Berlin im Jahr 2018 dem Thema Deutschland…

Zusammen mit 28 nationalen und internationalen Künstlern diskutieren wir das Bild dieser Nation von heute, setzen uns mit der Geschichte auseinander und beschäftigen uns mit individuell biografischen Blickwinkeln auf dieses Land. Die Edition erscheint in einer Auflage von 12, im Format A3, in einer leinengebundenen Box und vereint Malerei, Druckgrafik, Fotografie, Installation, Sound- und Videoarbeiten. Mehr Informationen zur Ausstellung, den Arbeiten und den Künstlern finden Sie auf unserer Webseite. Wir freuen uns auf Ihren Besuch zur Eröffnung, zu den Öffnungszeiten oder jederzeit nach Vereinbarung.

exhibition details STATE[S] OF PANIC | galerie eigenheim, weimar

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it is my pleasure to  invite  you to view my newest work,  STATE[S] OF PANIC, on display as part of galerie eigenheim‘s themed series of exhibitions, DIE OHNMACHT, taking place at their weimar location.

STATE[S] OF PANIC will be on display 21 – 26 nov, and details about the vernissage, interactive game, artist talk and other parts of the event are listed below for your reference [with the entire DIE OHNMACHT event running from 15 nov – 18 dec].

. . . . . . . . . .

[STATE[S] OF PANIC | kathryn gohmert | 21 – 26 nov]

vernissage: sat, 21 nov, 7 pm

“game”: mon, 23 nov, 7 pm

artist talk: wed, 25 nov, 7 pm

finissage: thurs, 26 nov, 7 pm

. . . . . . . . . .

other talented  artists  showing their work as part of DIE OHNMACHT include: yang ming, til ansgar baumhauer, david ashley kerr, and sandra monterroso.

more  details  about the artists, their work, the concept and DIE OHNMACHT’s itinerary can be found on the galerie eigenheim website, the facebook page or in the information listed below.

DIE OHNMACHT [THE UNCONSCIOUSNESS]:

the impenetrable complexity of current global events often eludes an objective assessment. the attempt to gain a rational, factual insight into the interrelationships of world politics often leaves us in a state of exhaustion, confronting us with more and more questions the closer we examine them until we are often left with a complete loss of an overview as a result.

global events and global conflicts are carried out locally with their origins also often based in local events. on this basis, we seek to firstly explore the understanding of global contexts from a local perspective. we have invited five politically focused artists from different parts of the world to open conversation with us by using their work as a starting point. each artist has a local, source-based concentration in their work from which global contexts will be developed and examined. in five consecutive, individual presentations, we will get closer to each respective culture’s formative background and current conflicts with the help of each subject’s work as well as using excerpts from the respective body of work as a whole. conversations and public talks with the artists are the second step toward deepening and discovering the origins of local conflicts on global contexts.

addressing these approaches, kathryn gohmert (* 1983 / texas / usa) opens dialogue about both the perspectives and origins of american people regarding their relationship toward violence and weapons and the resulting position of the USA in world events with the mixed media installation, STATE[S] of PANIC, specifically created for this concept. david ashley kerr (* 1986 / victoria / aus) examines the effects of colonialism on modern australia using photography and video works. yang ming (* 1962 / fujian / chn) gives us insight into the current situation in china through a developed conversation. sandra monterroso (* 1974 / gtm) let us participate in her research about the influences of colonialism in the progressive decline of indigenous, south american cultures and till ansgar baumhauer (* 1972 / de) explains excerpts from historical contexts in the conflict between the west and the middle east in his work COLLATERAL DAMAGE (30+).